creative synthesisの例文

• The creative synthesis principle was continually being expanded Factors regarding this are:
• A major manifestation of creative synthesis is the concept of heterogony of ends.
• She hoped to achieve a creative synthesis of science and poetry.
• It is not just splitting the difference, but molding a creative synthesis which rises above the doctrine of either party.
• And that creative synthesis may be the union in which the two sides of Neil Jordan the artist are reconciled.
• Titchener rejected Wundt's notions of apperception and creative synthesis ( voluntary actio n ), which were the basis of Wundt's voluntarism.
• Thus the contents of the Samaveda represent a tradition and a creative synthesis of music, sounds, meaning and spirituality, the text was not entirely a sudden inspiration.
• (1 ) " The Principle of creative synthesis or creative results " ( the emergence principle ) . " Every perception can be broken down into elemental impressions.
• Karl Struss, however, was a talented, serious artist . . . a talented photographer with an eye for innovation and creative synthesis, one for whom artistic refinement and technological mastery were inseparable.
• The album was reviewed by Resident Advisor's Andrew Ryce in August 2012, " Those moments of creative synthesis are Fabriclive 64's saving grace Oneman might not be a flashy jock, but he's a unique one.
• This rapid absorption led me, in a spirit of creative synthesis, without even realising, to Picasso and Braque's experimentation at the time . " His first exhibition took place at the Galerie Druet in 1911.
• For his creative synthesis of the literature on conditioning and learning theory, which shaped the development of the field for several decades, and for his subsequent application of those same skills to the difficult areas of hypnosis, suggestibility, and consciousness.
• Changes in meanings and motives were examined in many lines of development, and there are detailed interpretations based on the emergence principle ( creative synthesis ), the principle of unintended side-effects ( heterogony of ends ) and the principle of contrast ( see section on " Methodology and Strategies " ).
• But Sarna gets to the heart of the perception of the Boston Jew when he writes of scholars who tried " to forge a creative synthesis between Boston and Jew, a melange that, they hoped, would combine the best features of each culture _ ` Athens'and ` Jerusalem'_ and make Jews feel welcome in both ."
• Morris once explained his approach as " a process of taking the best ideas from each party and combining them into a coherent policy and program, " adding in an interview with the New York Times : " It is not just splitting the difference but molding a creative synthesis which rises above the doctrine of either party ."